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Studio Visit: A Botanical Artist’s Farmhouse Atelier in the UK

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It’s the smallest particulars of pure ephemera that the majority captures Bathtub, UK-based artist Lucy Augé. “On bike rides by way of the Somerset countryside, I pause every now and then when one thing catches my eye: the form of the brambles or a cluster of birch leaves blowing within the wind,” she says. Then she transports these discovered clippings and cuttings again to her studio—in an previous stone farmhouse—and paints from life.

Julie first came across Augé’s work by way of Instagram (@lucyauge_art), and we’ve since been enamored of her ethereal, evocative research of leaves and vines, shadows and light-weight. Augé started her profession as an illustrator, however throughout a time of therapeutic, she turned to nature, portray the flowers in her backyard, then venturing additional, into the English panorama. Her works are made with sustainability and longevity in thoughts (all assembled to archival requirements, she says, and designed to final for generations). Now, she sells her work worldwide (although with out the go-between of a gallery; she prefers to attach extra instantly with those that observe her work).

At this time we’re having a look inside Augé’s present studio within the Somerset countryside, the right website for setting out on walks after which returning, once more, to work.

(N.B. Augé is the artist behind the botanical sketches in our forthcoming e-book, Remodelista in Maine: A Design Lover’s Information to Impressed, Down-to-Earth Model, accessible now for pre-order. For more information, head right here.)

Images by Roo Lewis (@roolewis).

Above: “The studio house is located in a run-down farmhouse that’s at the moment being renovated by proprietor Mel Calver (@re_rooting),” says Augé; it’s an interim workspace whereas Augé searches for an area of her personal. “For now, it’s the right spot to work as it’s so related to nature, and I’ve the liberty to stroll by way of the countryside on the lookout for issues to color.”
Above: The farmhouse studio, with its previous stone partitions, is a becoming place for Augé to work. She makes use of archival supplies in her work, “making certain it’s an heirloom for generations to return,” she says.
Above: A trio of Augé’s black and white etchings on Hahnemühle paper, which “resists deterioration for hundreds of years,” Augé says.
Above: “The studio is all the time stuffed with cuttings ready to be painted,” says Augé. “I paint from life, then distort the unique picture by chopping it into segments and rearranging the panels into an summary piece. It turns into an ethereal, intangible capturing of nature’s respiration.”
Above: Augé in her studio.
Above L: “For my board works, I exploit Okawara paper composed of kozo fibers, sulphite, and recycled washi yielding, machine-made in a small family-run manufacturing unit in Kochi, Japan,” says Augé. Above R: “These worldwide papers are sourced from small unbiased companies primarily based within the UK.”
Above: Augé on a stroll by way of the Somerset countryside, armfuls of brambles and branches in tow.

N.B.: Augé sends a brand new catalogue of labor to her mailing record every season; signal as much as be notified right here.



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