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Tom Skeehan, founder of Skeehan Studio, is insatiably curious concerning the supplies and processes in design or, put merely, what issues are created from and the way they’re made. The Canberra-based designer, who began out in carpentry, cabinet-making and woodworking, has a detail-focused thoughts that drives him to discover new concepts and improvements in furnishings design.
“London-based designer Benjamin Hubert has a lovely mantra: ‘materials pushed, course of led.’ I’ve at all times regarded as much as his work all through my profession,” Tom says. “A variety of what we attempt to do is to decelerate the design course of and really have the chance to play, to fulfill with our producers and to type relationships the place we will belief them they usually can push us to discover new methods of bending timber, or extra sustainably harvest a specific wooden. All of this comes from stepping again from that course of and trusting a few of these companions.”
One such partnership was with the maker of Skeehan Studio’s Nave vary. The distinctive sew on the corners of the seat cushions got here from a suggestion by the upholsterer, and the element was then emphasised and celebrated all through the seating assortment.
“I needed a extremely delicate, rounded seat cushion – that’s the place we began. But it surely’s fairly onerous to get material to curve round all three sides of a nook on a cushion,” Tom remembers. “We labored actually intently with our manufac-turing accomplice, who broke it down in a extremely elegant and easy manner.”
The answer got here from the tennis ball, which is roofed in two items of material formed just like the quantity “8” which can be then stitched collectively to wrap a sphere. “The producer thought this sew was actually apparent, however I assumed it was distinctive and exquisite. We then pulled that language into the opposite parts of the chair, in addition to the remainder of the vary,” Tom explains.
The New Volumes fee from Artedomus gave Skeehan Studio the chance to discover a cloth it hadn’t beforehand labored with in furnishings design: Elba marble. The Bacchus espresso desk is a part of a collection of items by varied Australian designers commissioned to have fun the uncooked materials. “We tried to grasp it just a little bit extra by means of its provide chain, the quarries and the way folks work with it,” Tom explains.
“Because it seems, the best way that the craftspeople work in marble is sort of just like timber, though it’s so much slower. So we began to suppose, ‘If this was made in wooden, how would we strategy it? And what are a number of the inherent qualities in marble?’ I like how tactile marble could be.
“That led us down the trail of designing a giant bowl at one finish of the espresso desk that turned a leg – however in actuality, that bowl was imagined to be the centrepiece that you possibly can serve guacamole in or place a flower association in. It doesn’t matter what, you’re drawn to the center of the desk and to the fabric.”
One in every of Tom’s ongoing initiatives is a design for a folding chair that, regardless of being exhibited in Milan and New York, continues to be in growth – a testomony to Tom’s pursuit of perfection. “To drag it off, we might want to study extra about sustainability, pushing supplies to their limits and being actually intelligent in our manufacturing,” Tom says. “However that chair has the chance to vary the best way we consider furnishings design within the dwelling.”
skeehan.com.au
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