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A stone and glass fountain, totem pole-like columns and gilded arches characterise the Kaimakk bar and eating area by native studio Sanayi313 inside Istanbul Airport.
The 600-square-metre area was created by Sanayi313 as a spot of refuge from the bustle of the airport.
“The problem of this mission was to create a spot the place folks would really feel secluded and relaxed within the hectic setting of one in every of Europe’s busiest airport terminals,” Sanayi313 founder Enis Karavil advised Dezeen.
Two massive, L-shaped serving counters with canopies above enclose the seating area inside. Between the counters, an archway with intricate metalwork gates results in a “frozen” fountain on the centre of the mission.
The fountain was produced from conventional travertine stone with individually made, mouth-blown glass items.
Accomplished in two phases, the fountain was first carved and assembled earlier than modern Turkish glass artist Derya Geylani crafted the glass items to create the “frozen” expression.
In line with Kaimakk’s Lian Beraha, the fountain “took form from the concept of life, pleasure, abundance and the eruption of cream”.
Surrounding the fountain, a collection of tall archways are supported on sculptural, totem-pole-like columns that kind a colonnade enclosing the restaurant.
“The studio stacked a wide range of recurring types into totem-like pillars with gold discs between them and positioned arched blocks on high, as if enjoying with Lego,” Karavil defined.
“Every arched unit is provided with built-in blinds fabricated from translucent materials to diffuse the sunshine transmitted into the area at completely different occasions throughout the day,” he continued.
“Coated in micro-topping, the four-metre-high construction pays homage to the structure and stoneworks within the Turkish metropolis of Mardin.”
This concept of drawing upon heritage was central to the idea behind the mission, which, in keeping with Beraha, “attracts inspiration from the standard Mesopotamian tradition” of locations in southeastern Turkey like Mardin, Diyarbakır and Gaziantep.
“One of many key options of the mission is the handcrafted mosaic flooring incorporating an intricate geometrical sample with stars,” Karavil described.
“It attracts inspiration from the One Thousand and One Nights – a group of Center Japanese folktales often known as Arabian Nights.”
Constructed-in sales space seating is positioned alongside barstools and a combination of each spherical and rectangular marble-topped tables, with views out over the airport runway.
Different tasks in Istanbul embody Renzo Piano’s Istanbul Fashionable museum wrapped in a facade of “evocative fish scales” and an Apple Retailer by Foster + Companions that’s characterised by two travertine partitions.
The images is by İbrahim Özbunar.
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