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However the householders didn’t tackle the renovation and reimagining of their 2,418-square-foot abode alone. One in every of Lacey’s finest associates, fellow storytelling industrial director and designer Claire Thomas, led the inside design undertaking, with Rendell lending a hand on a private passion, carpentry. “It’s extremely stunning I fell so deeply in love with the home from the preliminary itemizing photographs,” says Lacey. “What I did see past the chocolate brown painted ceilings and stone tile loos was a very particular post-and-beam architectural treehouse with floor-to-ceiling home windows that invite within the beautiful, protected canyon views.” Claire and Lacey made it their job to return the house—initially designed by surfer-turned-architect Matt Kivlin—to its true nature.
AFTER: “From a format perspective, opening it up was a no brainer,” says Lacey of the kitchen, which now flows into the eating and residing areas, full with a hearth that pays homage to the unique with glazed brick-like Fireclay tile. “What’s particular about the home are the views, and every thing must be celebrating these. Now we may be cooking and searching on the outdated sycamores and oaks, or catch deer coming down the hillside.” The household’s new kitchen encompasses a Concrete Collaborative waterfall terrazzo counter with white oak cupboards painted a customized ochre shade by Reform.
The late ’50s, to Claire, evoke earthy California tones of marigold and avocado. And certainly a inexperienced, brown, yellow, and orange palette was solidified early on when she gained at public sale a sequence of classic Swissair posters depicting various aerial landscapes in these colours. “They linked with that total aesthetic we have been attempting to hit—actually earthy California canyon, late ’50s, early ’60s references with world traveler power,” says Claire.
AFTER: The eating room turns a basic midcentury silhouette on its head due to Folks Mission’s classic eating chairs, that are upholstered in Guatemalan huipils. Stripping the ceiling beams of their darkish brown paint breathed new life into the open-plan residing house embraced by foliage.
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