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Seher Shah brings her lovely, architectonic abstraction to Glasgow Print Studio for “The Weight of Air and Reminiscence,” a present documenting her nine-year relationship with the studio’s grasp printers. The Karachi-born artist’s observe is knowledgeable by legacies of modernist structure throughout the Indian subcontinent, in addition to by narratives of colonial exploitation and Shah’s private experiences of displacement. Her concern with geopolitical borderlands and disputed territories (like these created by the 1947 partition of India) mirrors her curiosity within the affinities between totally different graphic media.
The exhibition consists of seven discreet sequences, transferring from photogravure and etching to graphite-dust-and-ink sketch. Within the collection “Ruined Rating,” 2020, overlapping, multidirectional staves partly recommend musical notation as a form of reminiscence palace. On the similar time, the parallel traces may also be learn as practice tracks or the contours of metropolis plans. “Research from a Sculpture Backyard,” 2020, incorporates motifs from Brutalist structure into not possible, post-Cubist constructing designs. Shapes waver between determine and floor, three- and two-dimensionality.
The emotional and thematic core of the exhibition is “Arguments from Silence,” 2019, a set of photogravures constructed up round pictures of sculptural fragments created by the traditional Indo-Aryan civilization of Gandhara. The layering of gridlike patterns over these artifacts—a part of a historic assortment now divided between India and Pakistan—hints at one attainable mode of engagement with Shah’s work. Her overlaid summary types maybe stand in for the numerous, typically contradictory technique of recording and measuring historical past and id in a area of the world the place this stuff are sources of pervasive political stress.
— Greg Thomas
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