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October may have us trying again and ahead concurrently in Los Angeles, with historic exhibits alongside new our bodies of labor from up to date artists. These begin 1,000 years again with the Maya Codex of Mexico (Códice Maya de México) on the Getty, then leap to the twentieth century with exhibitions dedicated to the “Mama of Dada” Beatrice Wooden at LA Louver, and a homage to the late transgressive efficiency artist Bob Flanagan at Kristina Kite. At Shulamit Nazarian, Trenton Doyle Hancock reveals the most recent chapter of his ongoing, idiosyncratic saga, whereas new hand-crocheted sculptures by Luis Flores are on view at Craft Modern.
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Sarah Pucci and Dorthy Iannone
Dorothy Iannone was born in Boston however has spent a lot of her peripatetic profession in Europe, dwelling in Iceland, Switzerland, London, and Berlin. Starting in 1959 and persevering with for over three a long time, Iannone’s mom, Sarah Pucci, would ship her daughter small sculptures she crafted from beads, sequins, and foam — homespun baroque assemblages to maintain her firm on her travels. This present at Hannah Hoffman pairs 15 sculptures by Pucci with 4 collages that Iannone made on a 1962 journey to Japan, and a 1980 video about her mom, drawing connections between the formal and familial.
Hannah Hoffman Gallery (hannahhoffman.la)
2504 West seventh Avenue, Suite C, Westlake, Los Angeles
Via October 15
Beatrice Wooden: Drawings, Prints, Ceramics
Beatrice Wooden was an actress and artist whose lengthy inventive profession stretched from the avant-garde circles of New York between the Wars, to the bohemian enclave of Ojai, the place she moved in 1948 and died 50 years later on the age of 105. Often known as the “Mama of Dada” for her lifelong friendship with Marcel Duchamp, Wooden’s personal work encompassed early Dada and Artwork Deco-style drawings and prints, in addition to ceramics, which she devoted herself to for the second half of her life. Drawing on the gathering of Francis M. Naumann, a scholar and good friend of Wooden’s, this exhibition covers the years 1917–1996, capturing the breadth of her idiosyncratic oeuvre.
L.A. Louver (lalouver.com)
45 North Venice Boulevard, Venice, California
Via October 29
Lily van der Stokker: What’s it
Lily van der Stokker’s wall drawings toe the road between hard-edge formalism and gentle, playful abstraction. Because the Nineteen Eighties, she has been exploring natural varieties, vibrant colours, and textual content fragments in works that hold one guessing. She revisits and remakes a number of of her drawings initially created within the Nineties in What Is it, rebuffing the works’ obvious spontaneity with years of analysis and revision.
Parker Gallery (parkergallery.com)
2441 Glendower Avenue, Los Feliz, Los Angeles
Via October 29
Trenton Doyle Hancock: Good Grief, Dangerous Grief
Pulling from autobiography, comedian books, artwork historical past, faith, and different disparate sources of excessive and low tradition, Trenton Doyle Hancock has been constructing an expansive universe over the previous twenty-five years. Good Grief, Dangerous Grief options characters central to his mythology — Torpedo Boy, Hancock, and the malevolent Vegans. Participating and enigmatic, Hancock’s layered works invite us to confront the tangled intersection of identification, race, and artwork.
Shulamit Nazarian (Shulamitnazarian.com)
616 North La Brea Avenue, Fairfax, Los Angeles
Via October 29
Flanagan’s Wake
Transgressive efficiency artist Bob Flanagan explored the charged nexus of ache and pleasure together with his companion and collaborator Sheree Rose. Flanagan, who succumbed to cystic fibrosis at 43, was an lively member of the BDSM neighborhood and included each sickness and fetish into his paintings, freed from disgrace and stigma. Curated by Sabrina Tarasoff, Flanagan’s Wake options his contemporaries and kindred spirits who equally rejoice the abject and rejected, together with Nayland Blake, Mike Kelley, Monica Majoli, and Robert Gober.
Kristina Kite (kristinakitegallery.la)
3400 West Washington Boulevard, Mid Metropolis, Los Angeles
Via November 5
Cantos of the Sibylline Sisterhood
In Historical Greece, girls who had been believed to have prophetic powers had been referred to as sibyls. Cantos of the Sibylline Sisterhood options 10 artists who faucet into that oracular present, laying naked truths concerning the future, previous, and current. That is evident in April Bey’s blinged-out Afro-futurism, Marnie Weber’s witchy collages, and Molly Surazhsky’s post-Soviet textile works.
ArtCenter Faculty of Design (artcenter.edu)
Alyce de Roulet Williamson Gallery, 1700 Lida Avenue, Pasadena, California
Via November 23
Luis Flores: Due to You, In Spite of You
With materials virtuosity and subversive humor, Luis Flores’s hand-crocheted sculptures problem assumptions about wonderful artwork, craft, and stereotypes of masculinity. He typically focuses on his personal physique, crocheting eerily lifelike, full-size stand-ins that apply beginner wrestling strikes or flex with puffed-up bravado. In Due to You, In Spite of You, Flores displays on his personal life as a younger father, staging a Monster Truck rally out of yarn and bronze epitomizing the glee and panic of early parenthood.
Craft Modern (craftcontemporary.org)
5814 Wilshire Boulevard, Miracle Mile, Los Angeles
October 2–January 8
Códice Maya de México
When the conquistadors arrived within the Americas, they destroyed practically all of the books and manuscripts they discovered that had been created by Indigenous scribes. Solely 4 pre-Conquest Maya manuscripts are identified to have survived, and the Códice Maya de México is the oldest, estimated to have been written about 900 years in the past. All through 20 pages, a number of of which at the moment are lacking, the e-book rigorously tracks the motion of Venus throughout the sky, alongside depictions of a number of deities. Rumored to have been present in a collapse Chiapas within the mid-Sixties, the Códice was exhibited in New York in 1971 earlier than being seized in 1976 by the Mexican authorities, citing the United States-Mexico Artifacts Treaty of 1970. The Getty’s exhibition would be the first time the manuscript has been seen within the US in half a century.
The Getty Middle (getty.edu)
1200 Getty Middle Drive, Brentwood, Los Angeles
October 18–January 15
Joan Didion: What She Means
The author and essayist Joan Didion, who died final yr on the age of 87, was a particular voice in American tradition, a pioneer of “New Journalism” who captured the turbulence beneath the placid veneer of postwar life. Curated by author and critic Hilton Als, Joan Didion: What She Means makes an attempt to mirror her huge affect and legacy by the works of fifty or so visible artists. The exhibition follows a chronological and geographical trajectory, following the tracks of her life and work: Sacramento, New York, California, Hawaii, El Salvador, Miami. Collaborating artists embody Diane Arbus, Felix Gonzales-Torres, Ana Mendieta, Betye Saar, Jack Pierson, and plenty of others.
The Hammer Museum (hammer.ucla.edu)
10899 Wilshire Boulevard, Westwood, Los Angeles
October 11–January 22
Bob Baker Marionette Theater: 60 Years of Pleasure & Marvel
In 1930, a younger Bob Baker noticed his first puppet present and the remainder is historical past. Baker devoted his life to the magic of puppetry, opening a makeshift playhouse in his yard and crafting his personal puppets, finally working with firms like Disney and contributing to TV and movie productions. In 1963, he opened his namesake Marionette Theater close to Downtown LA, which entertained over 1,000,000 children earlier than he handed away in 2014. (The theater continues to be going sturdy in its new Highland Park location.) 60 Years of Pleasure and Marvel is a retrospective exhibition that pulls again the curtain on this whimsical phenomenon, that includes puppets and paintings by Baker and his collaborators, in addition to an animatronic band.
Forest Garden Museum (forestlawn.com)
1712 South Glendale Avenue, Glendale, California
October 20–March 19
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