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Jean-Luc Godard died this week on the age of 91, leaving a legacy as one of the influential filmmakers of all time. As a pioneer of the French New Wave, he shook up standard cinematic fashion, enjoying with narrative, digicam methods, enhancing, and setting in ways in which wrenched films into the trendy age. Certainly one of his most lasting contributions to cinema was his use of design—to set a theme, land some extent, or simply create an intoxicating environment, as he did peerlessly in these 5 movies.
Alphaville (1965)
Godard’s sci-fi detective noir, set in a futuristic dystopian metropolis run by a large pc, occurred in varied buildings that have been new to Paris on the time and represented an ominous future to some. The steely glass of modernism and uncooked concrete of brutalism communicated a cold, depersonalized world, as did Godard’s choice to shoot his flash-forward portrait in black-and-white. Within the ensuing many years, Alphaville’s putting use of design has impressed generations of traditional films (see Blade Runner and The Matrix, to start out) and influenced fashion icons of assorted stripes. (Debbie Harry and Chris Stein of Blondie purchased the rights and unsuccessfully tried to mount a remake starring Harry within the early Nineteen Eighties).
Contempt (1963)
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