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A Vogue Designer’s Romantic 1860s Household Farmhouse
Properties
The unique 1860s a part of the house surrounded by a backyard of apple timber, wisteria, and roses.
Fox (3), Brodie Doyle Jones, Maddy Maeve Dawe, and Muddy the cavoodle.
The south aspect outside eating space.
Most of Maddy and Brodie’s time has been spent working within the backyard to undertake a extra perennial fashion of planting with built-in natives.
The north backyard and patio with natives and decorative grasses.
HAY Palissade Eating Armchairs from Cult.
Jardan rug (turned the wrong way up!). FDB Mobler eating desk from Open Room. Partitions painted Porter’s Paints Milk.
The south aspect porch looking to the kitchen backyard.
The north-facing eating room that includes the restored unique 1800s brick wall. Citta cushions. Le Klint lampshade. Leaf & Threads ceramics. Partitions painted Porter’s Paints Milk.
Danish armchairs sourced from the Camberwell Sunday Marketplace for $80. Classic yellow desk lamp. Partitions painted Porter’s Paints Milk.
Massive portray by Christopher Jewitt. Ceramics in foreground by Lotte Schwerdtfeger. Fruit bowl from Castlemaine Classic Bazaar. Partitions painted Porter’s Paints Milk.
Valerio Ciccone print. Le Klint folding wall lamp. Massive portray by Christopher Jewitt. Ceramics in foreground by Lotte Schwerdtfeger. Fruit bowl from Castlemaine Classic Bazaar. Partitions painted Porter’s Paints Milk.
Classic scales from Castlemaine Classic Bazaar. Partitions painted Porter’s Paints Milk.
Le Klint folding wall lamp. Partitions painted Porter’s Paints Milk.
‘My eating room chairs — discovered deserted on a rooftop above a butcher in Richmond. They had been owned by their accountant and I phoned him to ask if I might rescue them from the climate and he offered them to me for $25 every. Japanese oak, mid-century dinning chairs. Rating!’ says Maddy. Danish armchairs sourced from the Camberwell Sunday Market. Partitions painted Porter’s Paints Milk.
Le Klint folding wall lamp. Art work by Paul Boston. Partitions painted Porter’s Paints Milk.
Art work by Greg Wooden. Leaf & Threads ceramics. Ceramic cup and planter by Lotte Schwerdtfeger. Hand painted gold leaf sculpture by Emma Homfray from Items of Eight.
The lounge was beforehand painted maroon and really darkish. ‘We tried to brighten it up by portray the partitions and ceilings,’ says Maddy. Art work by Greg Wooden. Le Klint ceiling lamp. Photographic print behind sofa ‘Sanremo’ by Maddy Maeve Dawe.
‘Fireplace Djang’ lithograph by England Banggala from Australian Print Workshop. Leaf & Threads planter. Chair purchased from Fb Market.
Portray behind mattress by Maddy Maeve Dawe. Cultiver bedding.
Entrance hallway.
Fox’s playroom. Kalon cot. Flensted Mobiles Drifting Clouds cellular. 15-year-old terrarium by Miniscapes.
FME Attire proprietor and photographer Maddy Maeve Dawe and physiotherapist Brodie Doyle Jones knew they had been house as quickly as they stepped foot on this Castlemaine property.
The property is a gorgeously rambling and rustic 1860s farmhouse linked to a 1900s Victorian house by a (later added) central atrium.
Surrounding the house is a big cottage backyard established by the earlier homeowners over the previous 25 years.
‘The magic of the backyard and unique 1860s farmhouse simply blew us away,’ says Maddy. ‘I can’t clarify it, however I simply felt like I had lived in the home.’
Shopping for the property was a giant transfer for the couple who each grew up in Richmond and beforehand lived in a one-bedroom Abbotsford condo.
Earlier than making a everlasting tree change from Melbourne to Victoria’s Central Highlands, they determined to lease within the area for 18 months, which solely solidified their need to stay within the nation.
‘This was a take a look at to see if we favored the realm, and we shortly fell in love with the area and knew Castlemaine can be perpetually,’ says Maddy.
Brodie and Maddy haven’t made any vital structural modifications to the constructing, as a substitute specializing in refreshing areas by way of paint and including storage.
They eliminated a splashback, put in shelving, and painted nearly each wall all through, choosing the refined heat of Porter’s Paints Milk within the kitchen and front room.
‘The purpose was to brighten up the place to convey extra gentle into every room, particularly the south-facing lounge room, which was initially maroon with textured plaster,’ says Maddy.
The principle bed room stays untouched with its attractive pink partitions, Victorian open hearth, and arched recesses all nonetheless intact.
Most of Maddy and Brodie’s time has been spent working within the backyard to undertake a extra perennial fashion of planting, with built-in natives.
They’re impressed to create landscapes much like the work of Dutch backyard designer Piet Oudolf — notably the wild, hardy, and ever altering planting of the New York Metropolis Excessive Line.
‘Previous to [our son] Fox being born, Brodie described the backyard because the third individual in our relationship, because it requires the identical quantity of affection and a spotlight, however offers us a lot pleasure in return!’ says Maddy.
Inside, the house is styled thoughtfully, with largely sentimental items and secondhand finds. The stable oak eating chairs had been $25 every, the Danish armchairs had been $80 from the Camberwell Market (the place FME was completely offered within the enterprise’s early days), and the ceramics plates had been handed down from Maddy’s potter grandmother.
‘She had a studio and kiln at her property in Dandenongs surrounded by a rose backyard. I believe I get a variety of inspiration, love of gardening, and delightful objects from her.’
Altogether, Maddy and Brodie’s house is a mirrored image of their shared tastes and values: heat, welcoming and completely unpretentious.
An idyllic house, for a pleasant household!
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