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Geometric shapes, fossilised stone and English cherry wooden characterise this home in Wimbledon, London, overhauled by native structure studio Gundry & Ducker.
Named Wimbledon Villa, the studio renovated and prolonged the indifferent early 2000s property with the intention of creating it really feel like “a rustic home in miniature”.
Studio co-founder Christian Ducker advised Dezeen that “the prevailing home was of a really skinny look and had little presence on the road”. To beat this, Gundry & Ducker prolonged to the facet and rear of the home, added a brand new entrance porch and constructed a brickwork facade on the entrance which mixes “a combination of symmetry and asymmetry.”
“This space round Wimbledon Frequent is house to the Edwardian Villa, and the brand new facade is designed to be a recent interpretation of this kind while having a relationship with an adjoining listed constructing,” he defined.
On the bottom flooring, the structure was tailored from one singular barn-like space into a mix of mobile and open-plan areas.
“The home faces a busy street and communal parking space,” Ducker mentioned. “So the primary residing areas had been beforehand affected by visitors and lack of privateness, and the centre of the home by lack of sunshine,” he defined.
“The brand new inside structure relies on problems with orientation, daylight, sociability and privateness,” mentioned Ducker.
“You now enter by a small porch which ends up in a contrasting double-height area that sits on the centre of the home, with rooflights above,” he described.
Pale stone and white painted partitions distinction in opposition to the wealthy cherry wooden staircase and matching bannister. The hallway branches off to purposeful areas together with a storage room, cloakroom and downstairs toilet.
“The inner plan relies on the humanities and crafts structure of a central double-height hallway from which rooms are oriented to the north or south in response to their use – social to the south and personal to the north,” Ducker defined.
Painted in pastel yellow, the ground-floor “library” incorporates a round porthole window on the centre of the bookshelves.
A picket floor runs alongside the adjoining wall to supply a workspace with inbuilt storage beneath.
To the south, an open-plan kitchen, residing and eating room has a fabric palette mixture of English cherry wooden and fossilised stone, which is sustained from the hallway.
Kitchen cupboards had been picked out in olive inexperienced in opposition to the white partitions and worktops.
Geometric shapes are a repeated motif discovered all through the property, together with a semi-circular viewing balcony above the hallway and two round skylights designed to permit pure gentle into the area.
The concept of a rustic home in miniature is manifested by “replicating parts of a a lot bigger home right into a 20-square-metre home,” Ducker defined.
Upstairs, the balcony curves round to a “bridge” hall, which runs perpendicular to the hallway.
This balcony connects a master suite with an en-suite and two dressing rooms on one facet to a further two bedrooms and two loos on the opposite.
Gundry & Ducker was based by Ducker and Tyeth Gundry in 2007. Different London initiatives by the studio embody the Camden City Brewery and a Nineteen Seventies house that includes inexperienced hues and checkerboard terrazzo.
The pictures is by Andrew Meredith.
Mission credit:
Architect: Gundry & Ducker
Structural engineer: Feres
Contractor: Martins Builders
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