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In 1952, SOM’s Lever Home landed like a cool slab of wirecut cleaning soap hygienically set on a plinth alongside the stony, tony canyon of Park Avenue. Its post-war transcendence was extensively lauded. Lewis Mumford’s overview for The New Yorker, printed within the August 8, 1952, difficulty and resurrected in Alexandra Lange’s Writing About Structure, known as it “a constructing of excellent qualities, mechanical, aesthetic, [and] human.” The next summer season, whereas romancing Eero Saarinen, Aline B. Louchheim captured the ideas of Nikolaus Pevsner in regards to the constructing in The New York Instances: “‘The truth that such a unprecedented constructing was commissioned from “a agency” moderately than a person genius […] is totally different from the Continent.’” He prophesied, “I see this as the start of one thing.”
Seventy-one years later, that one thing nonetheless shines. Following the two-sided curtain wall facade of the UN’s Secretariat constructing, completed in 1951, the Lever Home was New York’s first four-sided curtain wall facade. Its design was absolutely sealed for inside air-con, which required SOM’s invention of the window-washing scaffold, constructed by the Otis Elevator Firm, so the outside could possibly be cleaned with Lever’s personal merchandise. Threatened with demolition after falling into disrepair, the construction was landmarked in 1982. Its exterior, an experiment within the Fifties, was nearly absolutely redone in 2001 below SOM’s course, with a brand new, high-performance facade changing the unique assemblies. (The metal mullions had been corroding, inflicting close by glass panes to crack.) This newest spherical of sprucing focuses on the inner and amenity areas: the foyer, elevators, out of doors terrace, and a restaurant for tenants.
This most up-to-date work, once more led by SOM however now with Marmol Radzinger dealing with the interiors and Higgins Quasebarth & Companions serving as a preservation marketing consultant, was a mixture of almost archeological restorations and new insertions—specifically, an inside for The Lever Membership, a commissary on the third ground to be operated by the Sant Ambroeus Hospitality Group. The advance was commissioned by Brookfield and WatermanCLARK, who purchased the constructing in 2020. Within the midst of an office-vacancy disaster and hypothesis about the way forward for in-person workplaces, its homeowners are assured that the 21 flooring and 240,000 rentable sq. ft of Class A workplace house will quickly be house to the operations of economic firms, hedge funds, and household places of work, amongst different companies. Month-to-month asking costs start north of $200 per sq. foot.
On the bottom ground, a lot has been changed, included substituting cast-in-place concrete for the non-original stone paving. Nonetheless, the general scheme, designed by Raymond Loewy, is undamaged, even elevated. The black limestone lining the rear wall was re-honed, polished, and cleaned; above, the water-damaged plaster ceiling has been changed; and underfoot, the terrazzo has been refurbished. Behind the elevator foyer, the yellow, Murano glass tile wall has been cleaned up and patched. Amid the (refinished) unique stainless-steel column wraps, the foyer’s vitrines stay, although now they host artwork, not cleansing merchandise: At present, they show fashions of sculptures by Ellsworth Kelly in honor of his centennial; full-size items are additionally put in on the bottom ground, the primary in a rotating set of year-long artwork reveals.
On the third ground, the cafeteria has been reworked into The Lever Membership to be used by tenants. Utilizing the idea of colorblocking, Marmol Radziner delivered a set which features a central bar, gathering areas, reservable convention rooms, and a 15,000-square-foot landscaped out of doors terrace and gardens. On the terrace, Reed Hilderbrand added mini-forests of white birch timber, along with different plantings. Inside, it’s extra of a flowery, all-day cafe vibe and fewer of a Mad Males rip-off. The principle open space is lined in soapstone and rosewood partitions with inexperienced marble flooring mottled with galaxy-like patterning. Customized furnishings is completed in leather-based, mohair, and rosewood, and a cast-glass display screen behind the bar bounces and holds gentle.
When visiting an higher ground, simply 11,000 sq. ft in space, it turns into clear {that a} good chunk of the price range was spent on modernizing the constructing’s HVAC programs, together with new chillers, HEPA filters, and an automatic constructing administration system. (A generator, improved safety programs, and modernized elevators had been additionally put in.) This mechanical work has spatial outcomes: SOM eliminated the unique induction items and as an alternative put in a Devoted Out of doors Air System (DOAS) to flow into air; as a result of air motion and situation doesn’t depend on giant ducts, ceiling heights could be as much as a foot taller. (“It’s not a celebration till you discuss in regards to the DOAS,” remarked one Brookfield consultant throughout a latest press tour.) Moreover, alongside the perimeter the house behind the spandrel glass, initially deep sufficient to hide a radiator inboard of a low CMU wall, has been thinned, recapturing a slender little bit of invaluable leasable space.
In plan, Lever Home’s providers are loaded on the west aspect of the workplace block, leaving the east aspect open on three sides. Past the mirrored elevator shafts, a hearth stair is pushed towards the middle of the plan moderately than aligning with the core, permitting for a usable workplace to the north alongside the facade. A column lands within the southeast nook of this stairwell and repeats inside the workplace house, which establishes two uneven bays, one bigger and one smaller, leading to a stretched portion of the structural grid which is legible even within the foyer. (This asymmetry appears to assist with desk layouts, as there isn’t a column interrupting the place desks is likely to be backed collectively alongside the centerline of the ground.) One hopes that future workplace schemes will protect the views by way of the slender ground plate up and down Park Avenue.
A few of these modifications are evident when strutting throughout the constructing’s street-level expanse, like a brand new door within the limestone wall that improves out of doors service at Casa Lever, however most are hid and built-in into the 2 blue-green glass prisms—one lengthy, one tall, each skinny. The development nonetheless holds its personal in opposition to a bigger canonical instance of curtain wall–plus–plaza modernism: the Seagram Constructing, set diagonally throughout Park Avenue. The pair partially modified New York’s zoning legal guidelines; when the Metropolis handed a brand new zoning decision in 1961, it included the choice to safe as-of-right bonus space if one included open areas within the venture. Thus the POPS was born.
With its pores and skin changed and insides polished, Lever Home continues to learn not solely from good bones, however steadfast stewardship. Pre-landmarking, it might have simply scored a date with a wrecking ball, like SOM’s 1960 headquarters for Union Carbide a couple of blocks south. Although clearly nipped and tucked to pamper well-heeled lessees, the spaceship-like Lever Home showcases the rudiment of sturdy building: Correctly cared for, sturdy buildings will outlast us all.
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