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New Orleans-based structure studio Eskew Dumez Ripple has clad a Connecticut museum with a stone facade paying homage to native quarries and “monolithic massing”.
Situated in Greenwich, Connecticut, the Bruce Museum holds a multidisciplinary assortment of artwork, science and pure historical past displays.
Eskew Dumez Ripple undertook a complete renovation of the 32,500-square-foot (3,000-square-metre) museum, in addition to the addition of a 42,000-square-foot (3,900-square-metre) extension that homes a brand new public entrance and foyer.
The extension is affixed on to the museum’s unique construction, a Victorian-style residence in-built 1853 that was publicly deeded to the City of Greenwich to be a museum by proprietor Robert Moffat Bruce.
The oblong addition greater than doubles the dimensions of the prevailing museum, and moreover containing a brand new welcome centre, will home gallery, exhibition and cupboard space over three flooring.
With the extension, the studio re-oriented the museum’s entrance to face away from close by 1-95 to neighbouring Bruce Park for a extra non-public expertise.
A central courtyard positioned between the 2 buildings was designed to hyperlink the areas them from the inside, in addition to to “lengthen the park into
the footprint of the museum”.
The addition has a fluted stone facade that pulls from the encompassing panorama and supplies pure daylight.
“First, the stone quarries that dot the regional panorama turned the principle from which to ‘carve’ the monolithic massing of the constructing,” stated the group.
“At evening, these reduce apertures glow from inside, offering a transparent beacon to the group of the museum’s presence.”
“Second, fences constructed by New England farmers as they cleared their fields of rocks and boulders served because the inspiration for creating voids within the façade to filter gentle into the inside in a stunning and sudden manner.”
“This exterior, animated by the play of sunshine throughout the façade, dramatically adjustments look because the solar traverses the sky over the course of the day and time of 12 months.”
The facade is fabricated from a sequence of precast items hung from a chrome steel body. Based on the group, it creates an hermetic and energy-efficient facade able to lowering the museum’s power demand.
Guests enter the constructing via a glazed ribbon of doorways and home windows. Above the doorway, the facade’s stone cladding acts as a display screen that covers a central part of glass.
Extra glazed openings have been interspersed all through the bottom ground, with the occasional image window put in within the constructing’s top-floor gallery areas.
The foyer results in a central picket staircase that may be traced upwards via double-height areas and apertures.
Galleries, storage and amenity areas create wings on both facet of the house.
The museum’s prime two flooring, which include further gallery areas, convention rooms and workshop areas, hook up with the unique constructing via the inside.
Different just lately accomplished initiatives by Eskew Dumez Ripple embrace an aquarium and insectarium in New Orleans and a faculty constructing in Arkansas knowledgeable by surrounding farmland.
The pictures is by Tim Hursley.
Challenge credit:
Structure and interiors: Eskew Dumez Ripple
Contractor: Turner Development
Geotechnical engineer: Melick Tully and Associates
Panorama: Reed Hilderbrand
Lighting: Fisher Marantz Stone
Acoustical engineer: Jaffe Holden
Theatrical/AV: Jaffe Holden
Safety: Ducibella Venter Santore
Meals service: Futch Design Associates
Museum programming: M. Goodwin Museum Planning
Envelope: Simpson Gumpertz & Heger
Value estimating: Stuart Lynn
Code marketing consultant: Bruce J. Spiewak, Consulting Architect
Proprietor’s consultant: Stone Harbor Land Firm
Commissioning: The Stone Home Group
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