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Timber ceilings and a fire clad in mahogany tiles characteristic on this London home, which its homeowners have renovated to honour the dwelling’s mid-century roots and nod to the color palette of Stanley Kubrick movies.
Situated in north London’s Stanmore, Zero Home belongs to recording artists Ben Garrett and Rae Morris, whose former dwelling in Primrose Hill is the Dezeen Award-winning Canyon Home designed by Studio Hagen Corridor.
In contrast to their earlier dwelling, Garrett and Morris up to date Zero Home themselves however adopted the identical mid-century palette when creating its interiors.
“The home was constructed between 1959 and 1961 by a Hungarian architect,” stated Garrett, who defined that the unique design was knowledgeable by Californian Case Research Homes akin to Charles and Ray Eames’s 1949 dwelling and design studio.
“It is an amazing instance of various imaginative mid-century home homes dotted round metro-land,” he advised Dezeen. “Our foremost intention was to freshen it up comparatively in step with the time however to not really feel like we have been dwelling in a complete time capsule.”
The pair maintained the matchbox timber ceilings that run all through the two-storey dwelling, which have been stained with a darkish reddish tone alongside stained picket doorways.
Slim mahogany tiles clad the floor-to-ceiling hearth in the lounge, which options the identical micro-cement flooring discovered at Canyon Home and opens out onto a lush backyard.
Garrett and Morris additionally maintained the house’s many uncovered brick partitions and inserted geometric timber shelving that shows eclectic ornaments together with amorphous vases and a vibrant set of nesting dolls.
Reeded Seventies-style glass was used to kind numerous home windows together with a rectilinear opening within the kitchen that illuminates minimal timber cabinetry topped with grainy surfaces.
The pair transferred the tubular Marcel Breuer chairs and Tulip eating desk by Eero Saarinen from their former dwelling, in addition to the identical “heinous digital paintings” that embellished their earlier dwelling area.
Upstairs, a moody mahogany carpet darkens the primary bed room, which options the identical timber wall and ceiling panels because the communal areas.
“There’s loads of darkish reds and browns in the home,” stated Garrett.
“We leaned into the horror movie slash Kubrick really feel of the upstairs and made a number of extra austere decisions this time,” he added, referencing the late filmmaker, whose credit embrace the 1980 supernatural horror film The Shining.
Espresso-hued cork was chosen to clad the outside of the bath and the encompassing partitions whereas one other walk-in bathe interrupts the darkish picket theme with vivid orange tiles and deep white basins.
Zero Home additionally holds a timber-panelled recording studio, which is situated in a separate low-slung quantity on the finish of the backyard and might be reached through a number of stepping stones.
Garrett and Morris left the construction of the property largely untouched. As an alternative, the duo selected to give attention to dressing its mid-century inside.
“We did not need to be intelligent with this home because the area is plentiful and the circulate and design have been extremely properly thought out within the early 60s,” he stated. “So it was extra of a beauty factor.”
Different latest mid-century renovation initiatives noticed Design Concept replace a coastal dwelling in Perth from the Sixties whereas Woods + Dangaran added a koi pond amongst different components to a Los Angeles dwelling constructed by architect Craig Ellwood throughout the identical decade.
The images is by Mariell Lind Hansen.
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