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San Francisco-based Studio Terpeluk has renovated and expanded Redwood Home in Noe Valley with redwood interiors and terraces.
The three-storey Redwood Home was initially designed by American architect Albert Lanier – husband to sculptor Ruth Asawa – in a hilly San Francisco neighbourhood characterised by Victorian and Edwardian homes.
Studio Terpeluk was chosen to develop the 1976 home from 2,260 sq. toes (210 sq. metres) to three,218 sq. toes (299 sq. metres) with a brand new visitor room suite, residence workplace, moist bar and media room.
The renovation “surgically modified the home in an architecturally non-aggressive method,” the studio stated.
Wrapped with irregular western pink cedar planks, the slender home cascades down the hillside with exterior courtyards that mitigate the grade change.
One enters the home by way of an intimate courtyard off the road into an open-plan higher degree with a sloping ceiling and dark-knotted Douglas fir flooring created from native reclaimed pier pilings.
Most of the partitions and ceilings had been up to date with classic rough-sawn redwood veneered plywood maintained from the unique construct.
“Redwood surfaces and structural components full the nice and cozy inside panorama: from the sloping roof beams to partition partitions and built-in cabinets,” the studio stated.
To the left of the doorway is the kitchen with custom-gloss cupboards and a Carrara marble backsplash. It opens to a eating room that encompasses a Saarinen desk and Hans Wegner wishbone chairs.
To the best is the library the place daylight from the big window brightens the darkish panelling and sculptural furnishings.
The lounge is oriented round a pink sculpture by American artist Wanxin Zhang.
Padded seating wraps the nook beneath a big window searching to the San Francisco skyline.
The home is centred round a staircase illuminated by a skylight.
“The sculptural blackened metal stair with classic rough-sawn redwood plywood partitions anchors the home, weaving collectively the three flooring and their numerous spatial character,” the studio continued.
The center degree options visitor suites with direct entry to the entry courtyard.
The first suite is softened by mild pink terrazzo tile and a micro mosaic of Indian pink recycled plastic tiles.
“Colour was a recurring theme within the beautiful and eclectic artwork assortment of the homeowners,” studio founder Brett Terpeluk stated.
“This went completely hand in hand with my curiosity in mid-century Italian design and its daring use of colour.”
“We collaborated with our good friend and designer Beatrice Santiccioli to counterpoint the challenge with a devoted and bespoke colour language,” he continued.
On the lowest degree, a media room, residence workplace and kitchenette open to an abundantly landscaped backyard.
The out of doors areas had been designed by Terpeluk’s spouse and longtime marketing consultant, Italian panorama designer Monica Viarengo.
The terraces shift from curated gardens to wild vegetation as one strikes by way of the property, whereas the plantings reference California coastal landscapes with yellow roses, espaliered fruit timber and a wide range of thymes.
Studio Terpeluk was based in 2008 by Brett Terpeluk, after he completed a tenure working with Italian architect Renzo Piano.
Different Noe Valley renovations embrace the Gable Home by Edmonds + Lee, a renovated Victorian townhouse by Fougeron Structure and an industrial residence for a tech entrepreneur by Levy Artwork and Structure and Síol Studios.
Images is by Joe Fletcher.
Venture credit
Venture staff: Brett Terpeluk, Huy Nguyen
Panorama design: Monica Viarengo
Colour marketing consultant: Beatrice Santiccioli
Contractor: Saturn Building
Structural engineering: Strandberg Engineering
Furnishings: Santiccioli Arredamenti
Orama sliding window methods: Cooritalia
Home windows: Bonelli
Wooden reclaimed wooden flooring: Arborica
Steel fabrication: Higher Story Design
Material/upholstery: Malatesta & Co
Artwork: Catharine Clark Gallery
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