[ad_1]
“Muranow” Cinema – Do you bear in mind ‘The Matrix’ and the questions that remained in your thoughts after watching the movie? Maybe comparable questions and doubts lie on the coronary heart of this small architectural undertaking: What’s an authentic and what’s an imitation? What’s actual and what’s pretend? What is effective and what’s nugatory? What’s genuine? What’s an phantasm? A mirrored image in a mirror? What’s unintended and what’s meant? Numerous questions for 2 quick corridors connecting the present corridor with the brand new cinema halls, isn’t it?
Architizer chatted with Piotr Hardecki, founder at Piotr Hardecki Architekt to study extra about this undertaking.
Architizer: What impressed the preliminary idea in your design?
Piotr Hardeck: The cinema is situated within the space of a former Jewish quarter destroyed by the Nazis in the course of the WWII. The previous residents largely perished in German focus camps. After the struggle, a panorama of destruction consisting of big mountains of brick rubble remained. For political causes, post-war architects needed to design new buildings in a socialist realist aesthetic. The designer of the cinema, the superb pre-war architect Bohdan Lachert, confronted a selection: both to design within the socialist realist fashion or to not design in any respect. He determined to tackle the duty of rebuilding the destroyed capital, however neither the communists (his buildings bore too little resemblance to the structure within the USSR) nor his previous mates – the modernists, preferred his designs. It was solely many years later that his concepts have been appreciated. These tales from the previous had a robust affect on our undertaking.
© Basia Kuligowska Przemyslaw Nieciecki / PION
What do you imagine is essentially the most distinctive or ‘standout’ part of the undertaking?
In my view, a selected characteristic of our design is its uncompromising nature, uncommon in industrial tasks. I respect the truth that the shopper has positioned their belief in us, giving us appreciable independence within the selection of aesthetics. I additionally discover it inspiring to design with restricted sources and funds. Such work requires extra ingenuity and braveness.
© Basia Kuligowska Przemyslaw Nieciecki / PION
What was the best design problem you confronted in the course of the undertaking, and the way did you navigate it?
The largest problem was associated to technical points. The development of the brand new cinema halls required the ground stage within the rooms to be lowered considerably beneath the encompassing floor. A attainable design flaw risked flooding the halls throughout heavy rains. As well as, in one of many halls there was a principal drainage nicely beneath the ground. This nicely was (and nonetheless is) a key a part of the basement drainage system beneath the entire constructing. We needed to suppose very rigorously about the issue and its answer so as to not lower the route of the rainwater drainage system. Our multi-discipline design staff got here up with options that labored nicely in the course of the heavy rains and are nonetheless functioning correctly at this time.
© Basia Kuligowska Przemyslaw Nieciecki / PION
What drove the collection of supplies used within the undertaking?
The austere and casual character of the corridors connecting the foyer with the screening rooms is intentionally contrasted with the ornate interiors of the previous a part of the cinema. It’s meant to shock the viewer and put him in a ludic temper. Luxurious supplies have been juxtaposed with frequent ones. A counterbalance to the naked brick partitions is supplied by just a few expensive additions: stone flooring, trendy lamps and mirrors meant to optically enlarge the small areas. The supplies used within the cinema interiors are primarily meant to satisfy acoustic necessities. The darkish colors present a backdrop for the viewers and their actions.
© Basia Kuligowska Przemyslaw Nieciecki / PION
What’s your favourite element within the undertaking and why?
My favorite element on this undertaking is the brick lintel above the door, which emerged after the unique plaster render was stripped off. It reveals the nonchalance and sloppiness of the bricklayer, who most likely by no means thought that his work would ever be uncovered as ornament. I just like the juxtaposition of the out-of-shape bricks with the even, technological edges of the fireplace doorways beneath.
© Basia Kuligowska Przemyslaw Nieciecki / PION
How essential was sustainability as a design standards as you labored on this undertaking?
On this explicit undertaking, the sustainable strategy to design comes primarily from the reuse of area and supplies. We have been in search of a particular aesthetic achieved at a comparatively low price. Uncared for, cluttered storage and again rooms got new life as intimate cinema rooms. The restricted funding funds supplied the impetus to hunt ambiguous magnificence within the uncovered authentic brick partitions, multiplied by reflections within the mirrors, in addition to within the refreshed terrazzo, contrasted with a stone flooring that resembles (however doesn’t imitate) the ornamental flooring within the foyer. An extra symbolic layer to the seen brickwork is added by the truth that in post-war buildings the partitions have been typically constructed of bricks recovered from the rubble of destroyed Warsaw.
© Basia Kuligowska Przemyslaw Nieciecki / PION
In what methods did you collaborate with others, and the way did that add worth to the undertaking?
Along with the architects and designers usually concerned within the undertaking (constructors, sanitary and electrical designers), shut cooperation with specialist designers and consultants within the fields of acoustics and cinema engineering was crucial. In the course of the realisation part, we have been eager to make sure that our concepts have been understood by the contractor’s employees, so we have been fairly often on website.
© Basia Kuligowska Przemyslaw Nieciecki / PION
How have your shoppers responded to the completed undertaking?
The shopper breathed a sigh of reduction when the development was accomplished, as he was fed up with the noise and mud, particularly as the opposite screening rooms have been working usually on a regular basis. The 2 further halls allowed for a rise in repertoire. In smaller halls, the price of screening much less worthwhile (however artistically useful) movies is decrease. The annual movie pageant held on the Muranow cinema gained new alternatives. The cinema has change into extra aggressive in opposition to the industrial multiplexes. Small cinema halls can display screen movies for colleges within the mornings, which offers an extra supply of earnings. Buyer suggestions has additionally been very constructive. We’re presently planning to adapt the previous boiler room into one other cinema auditorium.
What key lesson did you study within the technique of conceiving the undertaking?
This undertaking has taught us to search for potential in locations that appear bland at first look.
© Basia Kuligowska Przemyslaw Nieciecki / PION
How do you imagine this undertaking represents you or your agency as a complete?
This sort of undertaking has been pretty uncommon for our firm on the time. Our speciality was instructional buildings and tasks with a robust connection to nature in addition to city planning. This was our first undertaking with the theme of reuse. We’ve got subsequently been concerned in adapting different buildings to new features and the expertise we gained from this undertaking has been very helpful.
How do you think about this undertaking influencing your work sooner or later?
Over time, this undertaking is gaining significance. Reusing current buildings and adapting them to new features is a crucial means of decreasing greenhouse gases within the building trade. Then again, preserving traditions and our cultural heritage can also be essential. By our work on this undertaking, we’ve developed concepts and ideas that we are going to attempt to use in future commissions.
Staff Members
Structure: Piotr Hardecki, Marta Czarnomska-Siecke, Kamila Swiezewska
Consultants
Development: Krzysztof Guraj, Sanitary installations: Jerzy Rotowski, Daniel Toczyski, Tamara Zawadzka, Electrical and telecommunication installations: Lech Ciepielewski, Acoustics, cinema engineering: Andrzej Kryszylowicz
For extra on “Muranow” Cinema, please go to the in-depth undertaking web page on Architizer.
“Muranow” Cinema Gallery
[ad_2]
Source link
