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Dulux Color Specialist Davina Harper stated not solely did this yr’s programme see some remarkably inventive, unique tasks however it additionally noticed color methods that challenged stereotypes, with formidable programmes and unparalleled affect, throughout a spread of constructing typologies.
The judging panel agreed that, no matter scale, scope or programme, in residential, city or academic contexts, numerous distinctive tasks transcended their stereotypes by way of the extremely thought-about specification of color.
The judges made particular point out of a powerful suite of small-scale tasks from New Zealand, notably within the Residential Inside Class. “Eden View, Heron Home, Casper’s Home and Kimiora Residence all demonstrated sturdy color use, with surprising mixtures and functions revealing a stage of experimentation that solely succeeds with inventive conviction,” says decide Adam Pustola. “The affect of those interventions stunned and impressed.”
The New Zealand Grand Prix winner and recipient of a Commendation within the Residential Inside Class, Eden View by Pac Studio, celebrates the richness of on a regular basis life. “Regardless of the challenge’s modest scope, the result’s transformative and extremely efficient – a credit score to the architects’ imaginative and prescient and resolve,” stated the judges.
The Australian Grand Prix winner and recipient of the Industrial Inside – Public and Hospitality Award, the Monash Robotics Lab by Studio Vibrant, epitomises this. “Eschewing the medical, sterile palette usually related to science amenities, this lab is heat and welcoming due to a play of earthy tones, color pops and calming greens,” stated the judges.
Even a monetary establishment, with its anti-establishment use of color, turned custom on its head to convey a message of heat, transparency and belief.
One other rising theme this yr was the combination of panorama as a consideration within the architectural response. “We noticed pure options inform the palettes of a spread of tasks, some drawing upon seasonal colors, others creating backdrops for the play of daylight and shade,” stated the judges.
This yr’s judging panel comprised: Adriana Hanna, Director of Structure at Kennedy Nolan; Cushla McFadden, Director at Tom Mark Henry; Olivia Macfarlane, Director at UNDERCURRENT NZ; Adam Pustola, Principal at Lyons Structure; and David Welsh, Principal at Welsh+Main.
“Total, there’s a resounding stage of ambition and conviction within the implementation of color in conceptual and completed work,” the judges stated.
Harper says: “This yr it was thrilling to see the intelligent use of color and surprising color mixtures bringing these tasks to life. We had some extraordinarily sturdy New Zealand entries that demonstrates simply how far we’ve come when it comes to utilizing daring color decisions to reinforce a challenge.”
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