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Textual content description offered by the architects.
This complete intervention seeks, along with recovering the categorized heritage of the outdated fountain, to disclose the cultural dynamics surrounding the idiosyncrasy of the city of Caneças – Portugal, its fountains and aqueduct that connects it to Lisbon.
The challenge follows well-defined tips that are supported by the sensory design initially meant for the place.
© Alexander Bogorodskiy
© Alexander Bogorodskiy
The presence of water is assumed each visually and soundly, creating an acceptable atmosphere for this tools.
Following the assorted perceptions of the place, it seems that the dense Neo-Manueline ornamentation that characterizes the fountain, mixed in its proportions, offers it a extremely attention-grabbing visible affect, which is at the moment incognito and intangible.
© Alexander Bogorodskiy
© Alexander Bogorodskiy
The intention of this intervention is to “liberate” the fountain’s façade to the skin with out compromising its integrity. Being this an area devoted to water, its native components, equivalent to the prevailing wells and tanks, shall be highlighted with a correct architectural therapy.
The constructing’s contact with the unique constructive and decorative components, is separated by means of linear spans that create an obvious visible boundary between two distinct architectural languages and two distinct eras, however which coexist in a balanced and peaceable method.
Two accesses to the property are deliberate for transitory inside patios leveled with the respective sidewalk.
© Alexander Bogorodskiy
© Alexander Bogorodskiy
The principle entrance leads on to the central courtyard of the area, which is restricted by the fountain, a double water mirror and the brand new constructing. The inside group suits the traits of a small museum area, with well-defined routes and key positions for reception, store, IS. and cafeteria. A big exhibition/multipurpose area is deliberate with double ceiling top and mezzanine, from which you’ll be able to entry the 2nd patio related to the cafeteria.
© Alexander Bogorodskiy
© Alexander Bogorodskiy
An elevator concurrently serve folks and cargo to beat the prevailing unevenness. On an higher degree, which occupies a big a part of the remaining area to the north of the lot, we now have the placement for water video games in an open area, with a extra playful-childish character and in tune with the final a part of the exhibition route.
The development of this tools have two completely different types of intervention.
© Alexander Bogorodskiy
© Alexander Bogorodskiy
Now we have the constructing with modern traits primarily based on a constructive typology with a system of columns, partitions and slabs in strengthened concrete, subdivision in brick masonry, protection with sandwich plate on mat slab, flooring usually with porcelain mosaic, plastered partitions and painted or ceramic tile, false ceilings in plasterboard, aluminum frames with double glazing and thermal reducing and thermal insulation system on the skin with the “ETICS” system.
Concerning the Fontain of Piçarras, constructed within the Nineteen Thirties, the intervention focuses on the structural rehabilitation of the roof and the total restoration of its ornamental legacy, which incorporates works in molded cement, plaster, tiles, masonry, carpentry, and unique inside tools.
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© Alexander Bogorodskiy
© Alexander Bogorodskiy
Exhibition Middle of Caneças Waters Gallery
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