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The Glade is a cultural model, in addition to a compound bookstore offering a brand new way of life. It’s a place for a bookstore, espresso, afternoon tea, restaurant, bar, cultural and artistic industries and irregular exhibitions. The origin of The Glade got here from two well-known initiator groups in Chongqing, The Razor’s Edge and One Day, who’ve cooperated to supply a quiet and restful place of void to Chongqing, and even busy metropolises in China.
Architizer chatted with Jenchieh Hung and Kulthida Songkittipakdee, Co-Founders of HAS (Hung And Songkittipakdee) Design and Analysis to be taught extra in regards to the venture.
Architizer: Please summarize the venture temporary and artistic imaginative and prescient behind your venture.
Jenchieh Hung and Kulthida Songkittipakdee: Our idea all the time begins with analysis, so once we know the venture is situated in Chongqing, we really feel shocked that Chongqing is identical as any cities in China, all are the tremendous tall buildings… Nevertheless, once we began analysis Chongqing metropolis, we discovered one among well-known Chinese language ink painters, Guanzhong Wu’s portray which known as “the mountain metropolis of Chongqing (1979)”, exhibiting how stunning the precise topography of the mountains and varied senses of Stilt Homes scale within the portray.
We begin to think about if town heart can really feel the standard Chongqing topography and Stilt Homes, that can be nice. So, we began creating multi-layers of roof with totally different heights, attempting to hyperlink Chongqing topography and Stilt Homes into our design area.
© Yu Bai
What impressed the preliminary idea on your design?
In our design, we all the time think about nature, as a result of people are a part of nature, and nature teaches us all the pieces, together with “a religious” ambiance and a “sense of belonging”. So, in each venture, we think about how area could be a part of nature. Nevertheless, in The Glade Bookstore, the customer can’t have any interplay with nature, as a result of they’re within the constructing, so we began to create man-made nature (we referred to as MANufaAcTURE) within the constructing. For instance, the PVC ceiling line is moved following the air-outlet; a fir wooden bookshelf creates a novel wood scent as a tree.
© Yu Bai
What do you consider is essentially the most distinctive or ‘standout’ part of the venture?
We all the time attempt to create a novel development aesthetic that displays nature’s purity and improvised nature. Probably the most distinctive design within the venture would be the PVC recycled line within the ceiling and built-in with LED lighting.
© Yu Bai
What was the best design problem you confronted throughout the venture, and the way did you navigate it?
Because of the COVID-19 scenario, when the venture was beneath development, our design crew stayed in Bangkok, and wouldn’t fly to China. Nevertheless, we checked the development website on daily basis by on-line video assembly, and supplied a “examine checklist of particulars” and despatched extra sketches and development drawings to assist native staff.
© HAS design and analysis
How did the context of your venture — environmental, social or cultural — affect your design?
The distinction between Europe and Asia is that Europeans’ understanding of structure and the methods of their cultural identification, whereas we acknowledge them extra from the variety of high-rises and worldwide designers. Moreover, now we have a frail understanding of our personal cities, which shaped the design logic that now we have to suppose in western methods and graft jap applied sciences with western pondering. Some are discovering a design technique that stems from their very own cities.
For us (Jenchieh Hung and Kulthida Songkittipakdee), discover a new recognition of native tradition, or in different phrases, interpret the creativeness of the longer term with our traditions? These are the core requirements of any of our selections.
© Yu Bai
What drove the number of supplies used within the venture?
We don’t have any intention of fabric choice. The entire designs are primarily based on our design analysis. We are going to make 1000’s of bodily fashions or make numerous 3D architectural plenty, simply to consider one thing past. Possibly materials, perhaps type, or perhaps our tradition.
© Yu Bai
What’s your favourite element within the venture and why?
We just like the ceiling PVC recycled line that melts into the wall. Truly, we put structural help within the wall, and the ultimate cowl is made from cement, so the small print look clear and invisible.
How vital was sustainability as a design standards as you labored on this venture?
It is very important shield our world. So for the ceiling materials in The Glade Bookstore, we selected the recyclable PVC traces, and it turned a sustainable and eco-friendly area for the consumer.
In what methods did you collaborate with others, and the way did that add worth to the venture?
Usually, we function as an impartial architectural agency.
© Yu Bai
Have been any components of the venture dramatically altered from conception to development, and in that case, why?
Truly, for all of our constructing tasks, the photographs are higher than the renderings. I feel it’s because Kulthida Songkittipakdee labored for Renzo Piano, and I (Jenchieh Hung) labored for Kengo Kuma for a very long time, so we all know management the small print, and we even developed our element system for every venture.
How have your purchasers responded to the completed venture?
They’re very completely happy and ship me photographs each week. I feel it’s as a result of they know we labored for The Glade Bookstore rather a lot (even on different tasks, each consumer appreciated us).
© Yu Bai
What key lesson did you be taught within the technique of conceiving the venture?
We need to have structure and inside tasks collectively. If The Glade Bookstore may have a single constructing sooner or later.
How do you consider this venture represents you or your agency as an entire?
Our work all the time stands out when it comes to its synthesis of type, sample, materials, and know-how into singular, irreducible constructions.
© Yu Bai
How do you think about this venture influencing your work sooner or later?
We didn’t give it some thought; we simply paid 100% on time for all our tasks. We think about structure to be a part of our little one, with whom we are going to spend all of our lives.
Are there any merchandise or supplies that had been essential to the design?
Lighting merchandise : Visible Feast (VF) / LEDLUZ Co., Ltd / Leimove
© Yu Bai
Design crew: Jenchieh Hung, Kulthida Songkittipakdee, Kanchaporn Kieatkhajornrit, Pimpasson Gangvanpanich, Qin Ye Chen, Panhuili Cheng, Zhongjun Dou
Consumer: The Glade Lighting
design (Thailand): Jenna Tsailin Liu; Lighting design (China): Qiuwei Zheng; Lighting know-how: Visible Feast (VF)
Construction guide: Huazhu Structure Design Group; Panorama guide: LISM Panorama Design
Kitchen guide: Chongqing Bailey Kitchen Co., Ltd.
Building administration: Jason Yin; Building: Nengqiang Yu
Wooden furnishings constructor: Chongqing Longyi Ornament Undertaking Co., Ltd.
Location: Chongqing, China
Web site space: 1,000 sq.m.Gross constructed space: 1,360 sq.m. Design 12 months: 2020 Completion 12 months: 2021
Photograph credit score: Yu Bai.
For extra data on The Glade Bookstore, go to the in-depth venture profile on Architizer.
The Glade Bookstore Gallery
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